The Sundarban 
A24
David Freyne’s 2025 romantic dramedy “Eternity” is the roughly film that now and again gets made anymore: trim, silly, and surprisingly diagram-provoking. The film was launched with out a ton of fanfare, but now it’s topping streaming because the 2d most-watched film on Apple TV+ in accordance with Flix Patrol, surpassing such flicks as Wolfs (which was the most-watched flick ever in 2024 on the streamer), “The Gorge”, and Spike Lee’s “Highest 2 Lowest,” amongst others.
Written by Freyne and Pat Cunnane, “Eternity” takes an exciting, if bittersweet, excessive-diagram diagram and runs with it. What if, whenever you die, you search for yourself (or extra enjoy your spirit) in a pickle with other ineffective individuals where you can pick what roughly eternity you need (smartly, for eternity), and who you pick on to use it with. To wait on assemble the exact probability, you’re assigned an afterlife coordinator who can handbook you by technique of the total course of, explaining the rules to assemble the irreversible decision.
We be taught all this by technique of the eyes of Larry (Miles Teller), whose existence ends at an extinct age when he by likelihood chokes on a pretzel, and then wakes up on a practice in the body of his younger self (representing the time in his existence when he was the happiest) en path to the pickle called Junction, which appears to be like to be like enjoy an infinite conference center for ineffective souls. Larry decides to await his spouse, Joan (Elizabeth Olsen), but he is now no longer the absolute top one. Luke (Callum Turner), her first husband who died in the Korean War, has also been anticipating a protracted time to reunite with his colossal love. So when Joan dies of most cancers and arrives, she’s confronted with an very now no longer going decision: She has to pick between two men who outlined her existence, and technique to a decision which one of them she’d pick on to use eternity with.
Eternity is a lightweight-hearted comedy that seamlessly tackles one of the most heaviest questions about existence
A24
On the floor, David Freyne’s characteristic is a up-to-the-minute screwball comedy fats of charm and witty jokes — most of which may perchance perchance be delivered with flair by Da’Vine Pleasure Randolph’s and John Early’s hilarious afterlife coordinators, Anna and Ryan. However in the motivate of each and every silly and nostalgic gag lies a profound fact about existence. “Eternity’s” absolute top strength is presenting these colossal and loaded existence-defining moments in an effortless and fun formulation, but in no plot undercutting how meaningful they are when one is pressured to reckon and inquire motivate on the existence they lived.
The cause it all lands so convincingly is partly due to the the handsome cast and the sparking chemistry they allotment (especially the trio of Teller, Olsen, and Turner), the emotionally vulnerable script, and the exuberant but wistful production kind that creates an immersive, fantastical milieu of what the afterlife may perchance perchance inquire enjoy. “Eternity” may perchance perchance smartly be nothing but a memoir, however the questions and the dilemmas it poses are bigger than relatable and acceptable to our have lives — whether we explore it younger or extinct.
Due to the these qualities, it’s now and again a shock that the A24 film was a predominant darling (at this time standing at a 76% ranking on Corrupt Tomatoes) and a industrial success splendid year, making $34 million worldwide in opposition to its $12 million budget at the box office. That said, Freyne’s film mild feels considerably underrated and underseen — it is a shame that it couldn’t even salvage a single Oscar nomination — provided that it is the model of ingenious, creatively rich, and emotionally shimmering dramedy that we produce now no longer salvage somewhat just a few nowadays.
